Check out my flash fiction “Going in Alone” in tenderness, yea. I wrote this in 2015 for a fiction workshop.
Okay, so this publication isn’t that new, but check out “The Grooming Salon,” a story I had published in animal: a beast of a literary magazine last November.
The story is fiction, but the setting details draw a lot from my past work experience as a dog groomer. An earlier (but longer and not as good) version of this story is what I used when applying to MFA programs.
I really enjoy this story and am so pleased that it found a home.
Check out my short story, “The Blue Line,” in the latest issue (vol. 4 no. 3 issue 12) of Typehouse Magazine. (Download the pdf, then scroll to page 151.) I had a lot of fun writing this one, and I’m excited it’s out in the world. It takes place in Chicago, which hasn’t been my home for a few years, but deep down inside, still feels like home.
I love writing unique and sometimes strange characters, and this one was no exception. At first her name was Wendy (a play on Windy, from the song by The Association), but then I changed it to Jessica, my birth name. She isn’t me, and the story isn’t true, but there’s part of me in her and I love her so much. She’s grappling with issues I grapple with–finding her life and career purpose, figuring out what role romantic love should play in her life, and navigating obstacles caused by health problems.
The description of migraine aura in this story is the one part that is completely true to my experience. I’ve gone totally blind while walking on the streets of Chicago and it was terrifying.
Check out my story: The Monster in my House. It’s in The Nottingham Review out of England, which means I can officially say I’ve been published internationally. Is that slightly misleading? Who cares, I’m still saying it!
This is a super short piece and I like it quite a bit. I read it at an event last year and received good feedback and a surprising amount of laughs. I must make it sound funny when I read out loud, because I don’t think the story itself is very humorous.
Remembering the reading I did last year has me thinking… I want to move. I want to move somewhere with a larger lit community. Somewhere I can do more readings. Does blogging that sentiment outright count as sending my intention to the universe or whatever? Get me out of Tampa, world!
Okay, so it’s been live for over three months, but I had a busy semester and forgot to notify you guys. weirderary is the online lit mag my friends and I started. Please check out our first issue. In addition to helping choose what we published, I conducted an interview with Jacob Appel and reviewed books by George Saunders and Victor LaValle.
I apologize for all the exclamation marks! I know they’re annoying! But I’m really excited! I just! can’t! stop! exclaiming!
Anyway, today the EEEL put up my story, “The Tooth.” I will warn you that I’ve been told this story is disgusting. I am super pumped about it, though. I really admire the EEEL (which stands for the Electric Encyclopedia of Experimental Literature) and am really proud that they wanted to publish something of mine. I also adore the artwork they paired with my story.
This is the second piece of fiction I’ve had published. The first was “Letter to the Editor” in revolver in 2012. Back then, revolver was brand new and someone who read my blog solicited me to submit.
After that, I submitted places here and there with no luck. Beginning in May of this year, I went ham with submissions. Duotrope says I’ve received 42 rejections and have 27 things out for submission right now. I feel like I’m getting the hang of submitting and learning to accept rejection without feeling bad about it. I have at least 15 pieces I consider ready for publication. Hopefully I’ll be sharing more acceptances soon!
Hi, friends! A few days ago, a lovely (I’m assuming) man emailed me saying he’s found my MFA blog posts useful. Then, yesterday, Tony Pierce–the Blogfather himself–contacted me to say hi. Coincidence? No way. Direct message from [insert your fav deity] encouraging me to blog again.
It’s been a while, but I will not apologize. I’m busy. I’m in the thick of it. Half-way through the semester. It’s going good. It’s going well. It’s going great. I LIKE IT. The above emojis adequately represent how I feel on a consistent basis.
When I originally searched for MFA program information online, I found many blog posts about the application process, but not many posts from students currently in programs. I understand why–I’m busy, and writing about school just isn’t on my mind. Still, I want to hit you with an update.
What I’m doing, as a first-year MFA creative writing fiction student:
- taking three courses: Craft of Fiction, Intro to Grad Studies, and Practice in Teaching Composition
- teaching one course: First Year Composition
- consulting in the Writing Studio ten hours per week
The amount of happiness I feel about all of this astounds me. I thought the giddiness of being here would wear off after the first week or so, but I literally walk around unable to hide a shit-eating grin the majority of the time I’m on campus. Craft of Fiction is my favorite class, which makes sense since I’m here to study fiction, but I also like the other two classes. That turned out to be a surprise, honestly. I thought they’d be boring requirements I’d want to rush through, but I’m learning a lot in each.
The in-class lectures from Intro to Grad Studies combined with our textbook readings have helped me gain awareness of why I am here, what I want to get from the experience, and where I hope to go next. The graduate program I was in years ago did not have a class like that. I wish it had; I probably would’ve realized the program wasn’t a good use of my time and the associated opportunity cost when it hit me that I lacked a clear plan.
The Practice in Teaching Composition course is for Graduate Assistants teaching Freshman Composition. In class, we discuss exercises and assignments the week before we carry them out in our own classes. We also read and discuss various pedagogies (teaching methods/theories). Although I am not able to implement it this semester, I am particularly interested in the community engaged pedagogy and hope to use it in my teaching beginning January. Community engaged pedagogy is essentially the method of teaching students through experiences with a community partner, which should also benefit the partner. I see community engagement as the link connecting my previous educational experiences with my current one.
Overall, my entire MFA experience is fantastic thus far. My classmates are all friendly and kind and already true friends. My professors are helpful and kind and interesting. The Writing Studio is fun and I’m grateful I received that opportunity. I hope to keep my Writing Studio appointment all three years. Florida’s nice. There are lizards everywhere. I do many of my readings while lying next to the pool.
Being in grad school isn’t easy, but I’m not drowning in readings, which is something I worried about after hearing MFA horror stories. My workload is manageable. I only exercise about once a week (compared to every other day before moving here) so that’s something I need to work on, but aside from that, I am not neglecting other aspects of my life outside of school. I sleep eight hours per night. I maintain a social life. I’m still revising my novel (albeit, more slowly). Still, it is graduate school. I don’t think an MFA is a good choice for someone with romantic notions of sitting around writing all day instead of working a day job. It’s a good choice for someone who likes school.
Since I am only half of a semester in, I don’t know that there is too much else for me to write about the MFA program at this time. If there is anything you think I should blog about–MFA-related or not MFA-related–let me know in the comments.
P.S. If MFA information is what you’re looking for, know that one of my classmates, Carmella, blogs regularly about her experiences as an MFA student at The Restless Writer. Also, MFA students who I (virtually) met through the Facebook MFA Draft group last year blog about their school-related experiences at The MFA Years blog.
“Should I get an MFA in Creative Writing?” is a phrase I’ve searched before, maybe dozens of times over the years, as if Google were a magic eight ball that could instantly dictate my major life choices.
I don’t know whether or not you should get an MFA in Creative Writing, if you are considering it. To MFA or not to MFA is a personal decision entirely dependent on your values, situation, and goals. Last fall I decided to go for it and applied for MFA Creative Writing programs in fiction. I’m sharing how I came to this decision in hopes it’ll help someone who is interested in the MFA, but dealing with uncertainty.
It’ll improve my writing. This is the number one reason I am getting an MFA. For years I doubted the benefit of an MFA because it seemed as if everywhere I turned great writers were spouting off about how creative writing can’t be taught. In the fall of 2013 I took a writing course at Lighthouse Writers Workshop in Denver. In the first two weeks I made more progress on my novel than I had in the entire past year. Maybe the classroom/workshop setting doesn’t work for some people, but it is amazingly effective for me.
My MFA desires stood the test of time. In 2005 I entered a Master of Urban Planning and Policy program. Almost immediately I felt frustrated because it left me no free time to read poetry and fiction and write creatively. I began researching MFA programs online, but the idea of dropping out of one Master program to apply to another felt totally insane. I’d already had people in my life act like I was flaky for pursuing public policy after studying psychology as an undergrad. I bought into the idea that I needed to just stick with something and stop jumping around. When I was still interested in MFA programs in 2013–eight years later–it became obvious that my desire was real and not just a phase or flight of fancy.
I know I’m not trying to avoid “the real world.” There are many twenty-somethings who go to grad school not because they’re really passionate or driven in their field, but because grad school is less awful than having to work a 9 – 5 day job. That might’ve been part of why I went to grad school the first time around. Since then I’ve spent several years in “the real world” and have figured out how to make it work for me (I find doing varied work from home is best). This time I am certain I am going to grad school in order to pursue something I love rather than to avoid something I hate.
I believe it’ll help my career. I write “I believe” because it is definitely a faith. Google the phrase “MFA Creative Writing useless” (minus the quotes) and 723,000 results come up in .35 seconds. Unlike other graduate degrees that prepare students for specific careers, the MFA in Creative Writing does not. Yes, it technically qualifies you to teach at the college level, but I recently read the dismal statistic that <1% of MFA Creative Writing graduates land full-time teaching positions. Maybe I am arrogant and delusional, but I believe that if I really want to be part of that <1%, I eventually will be. (Arrogance and delusion can turn into self-fulfilling prophecy, right?) The way to get a decent teaching gig as an MFA is to publish a book, and I’m already working on that. If I decide I don’t want to be in academia, I’ll still want to do something reading- and writing-related, and having an MFA can only help me be qualified and make the connections to bring that into reality.
The time is right. I’m not married. I don’t have kids. I don’t own property. My health is good. There’s nothing tying me down to any specific geographic area. I used to think I never wanted to get married, have kids, or buy a house, but recently I’ve begun to reconsider. I still don’t know for sure, but I might want some of those things five or ten years from now. Sure, you can get an MFA while married or after having kids, but I bet it’s much more difficult. I want to pursue an MFA now, while I can devote all of my time and energy to it without having outside responsibilities.
It is in line with my values. Getting an MFA in Creative Writing is not a wise financial decision. Because the degree does not guarantee any sort of career, it can’t be viewed as an investment that will pay off monetarily. Even if you get a “fully funded” offer, you’ll probably have to use some outside funds to get by. Your tuition is waived, but there are still fees, books, and living expenses. The living stipend is generally <$15,000. I had to think long and hard about this reality before making my decision. I realized I value taking risks and pursuing my dreams more than I value being financially secure.
I’d like to point out that I have not yet started an MFA program. It’ll be interesting to come back to this post in three or four years and see if my decision was on point.